New Music: Caterpillars “Kenopsia”

Missing that early 2000’s indie rock sound? Dallas’ Caterpillars have released the lead track off their upcoming album, the Wicked and Wonderful, and it’s going to be your new jam. Enjoy, and keep an eye out for the new album.

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Better Know an Artist (Vol 35): Jared Caraway

The dream of the 90’s is alive and well in the DFWd, and Jared Caraway is here to help you reflect on those times. Channeling hometown heroes like the Toadies and Tripping Daisy, along with Weezer, Green Day, and all the other anthem singing heroes of the day, Jared drives home that angsty, crunchy sound you’re looking for. He took the time to sit down and answer those pesky questions we’re always throwing around and it went a lot like this. 1,2,3,4:

Me: For starters, tell us a little about yourself. How did you first get into music? And when did you know this is what you want to do for a living (money be damned)?

JC: Music has always attracted me like a magnet – I’ve always loved art in general, but music in particular has always had the strongest pull on me. I think it’s fair to say I’m obsessed with music – I’m a music fan before I’m a music maker – and my compulsion to create is a natural result of that. It’s my passion. As a music fan, I’ve been under no illusion that “making it” as a musician is an easily achievable goal. I remember reading interviews about touring bands – superstars, in my eyes – that were lucky to break even touring on a shoestring budget to pursue their dreams of making new fans while bringing a great live show to their current fans. I think I’ve known my whole life that not only writing, but performing music is something I WANT to do for a living, but it hasn’t been until recently that I’ve had the resources to start taking real steps to make it happen. (The “for a living” part is as of yet a glint off in the distance.)

What drove me to play guitar was my desire to get that satisfyingly crunchy, dry distorted tone produced largely by Pro Co RATs and Boss DS-1/DS-2s – great example is “Possum Kingdom” by Toadies, which contains one of my all-time favorite guitar tones (and which I cover on occasion). I was also a big fan of the tones the Kinks managed to get out of their amps. I was sorely disappointed, though, when I got a beautiful green, shiny American Fender Strat and a tiny Pignose battery-powered amp…but no distortion! (My desire for distortion was finally satiated when I got a little Peavey practice combo I could crank the drive all the way up on.) For years, I played acoustic guitar because I couldn’t round up a band, but recently I’ve finally been performing with my Strat onstage and building up a pedal board to increase my aural palette. My friends Arik Harris on bass and Frank Gonzalez on drums are very talented musicians, and I’m luck to have them on my team.

Me: How would you describe your music to someone who hasn’t heard it before?

JC: It’s catchy, simple, usually about love or heartbreak (two of my specialties), and often in a major key. My sound is largely influenced by 90’s alternative rock bands, like Foo Fighters and Weezer, with some pop punk, alt-country, and folk elements weaved in. There are almost no solos (although I’ve got one in the works that will feature my first solo when complete). My creative output is just a mashed up version of all the stuff I’ve listened to over the years manifesting itself as something new. To describe my music most generally, I’d call it pop rock or alternative.

Me: Who are some of your biggest musical influences, and why?

JC: Although it might not be obvious in my songwriting, I was heavily influenced in my early childhood by late 80’s/early 90’s pop country like Diamond Rio, Hal Ketchum, Shenandoah, Clay Walker, Garth Brooks and countless others. Alanis Morissette’s Jagged Little Pill was a huge record for me – an addictive blend of angst and accessible tunes which I might dare call a masterpiece. Definitely Weezer circa Weezer (the blue album), Green Day circa Dookie, and most popular rock produced in the mid 90’s (Everclear, Harvey Danger, Lit, blink-182, Tonic, Sublime, and so many more).

Me: Which of your songs means the most ot you, and if you don’t mind me asking, why?

JC: I’ll say “Weather Me,” which is the title track off of my upcoming debut. It has multiple meanings weaved together into one sort of narrative. It’s one of the quickest songs I’ve ever produced from start to finish, one of the first to prominently feature a picked melody rather than just chords, and it just encapsulates the way I felt at what I now realize was a pivotal point in my life on several different levels. I know that’s kind of a vague answer, but I’d rather leave the specific events and things and people forming the basis of this one up to the interpretation of the listener.

Me: If you could open for any act, dead or alive, who would it be, and why?

JC: Probably Brand New. They’re one of my all-time favorite bands, and it would just be an honor to be able to share the same stage as some of my heroes (though it looks like that might not happen unless it’s before 2018 rolls around)

Me: Any favorite new musical acts, local or otherwise?

JC: I love Animal Bar, based out of Denton. They’re still a pretty new band, pretty young (all under drinking age), but they rock way harder than I probably ever could. Really talented kids – great songwriting and musicianship across the board. If you haven’t checked them out yet, I recommend that you do so. LeQube and Thrill Bill also put on awesome live sets.

Me: What’s your “stranded on an island” record?

JC: I could agonize over this decision for hours, but I’ll just go with the Toadies’ Rubberneck. Crunchy, gritty, dark, and weird. I can listen to the whole thing from start to finish (and start over again) with ease. 20+ years later, I’m still not tired of it. Alicia Keys’ Songs in A Minor and Saves the Day’s Stay What You Are are a few other candidates.

Me: Moving onto the home front, what are your favorite (and least favorite) things about the DFW music scene?

JC: Least favorite thing is how saturated the market is, which means you’ve really got to grind and make connections if you want to get noticed and bring people out. But as a music fan, this doubles as a positive – a ton of music for me to consume and enjoy!

My favorite thing is how supportive everyone is of one another, from supporting acts to venue management to sound guys to fans. The music market in DFW is obviously extremely competitive, but it’s not cutthroat. We all want to succeed, but in my experience, most of us also want to make friends and just have a great time, so a lot of us tend to have each other’s backs.

I’m also really impressed with the quality of work and the passion and drive I see coming out of the Dojo (and Team from Nowhere). Donny Domino is a high school classmate of mine, and I’d say his love for music easily rivals mine. Those dudes at the Dojo are making music nearly 24 hours a day. If someone hops off the computer, someone else is jumping on to work on a project, or someone’s stopping by to lay down a few verses. Such a cool vibe. Donny, -Topic, Bobby Sessions, KoolQuise, Xes, Zyah, Sam Lao, all those folks…I’ve got so much respect for what they’re doing.

Me: Favorite DFW venue to play (or see a show). Why?

JC: Favorite place to play is probably Sundown at Granada. Their brisket tacos are incredible. I love that they have amps available for use, sounds great, staff are friendly…it’s hard to find a negative. Not coincidentally, Granada is still probably my favorite place to see a show, even though I haven’t been there in a few years. I need to go back soon. The sound’s always great there, and it’s hard to find a bad spot in the house.

Me: Any favorite local acts people should be looking out for?

JC: I will mention RTB2 every chance I get, because Ryan Thomas Becker is such an incredible guitarist, songwriter, and performer, and their live shows always kick ass. Animal Bar. – Topic. Bobby Sessions. Sealion. Moon Waves. Pearl Earl. And Ashley Somogyi – her songs are very rhythmic and hooky, which I can relate to.

Me: And for shits and giggle, what’s a fun fact that most people don’t know about you?

JC: I was captain of my high school spelling and vocabulary UIL team. I made it to regionals every year and competed in state finals my senior year. I’m a total word nerd.

Thanks a bunch to Jared Caraway for the time. He’s got a bunch of shows coming up under his new band moniker, Jared and the Jewelers. You can catch them this Friday at the Foundry in Dallas with Pearl Earl, and Saturday at Taps & Camps in Denton. There’s a few more later this month and next and you can find those here. Keep an eye out for his debut album and check out his track, “My Calypso”, below.

New Music: Clifffs “Volcano”

The latest record from Clifffs (formerly Cliffs of Insanity), the newest musical project of John Dufilho (formerly of Deathray Davies), Bill, You’re Only Human, dropped on the 11th of June. It’s a fun little indie garage rock record. Very aurally satisfying, so you know if you need a record just to walk down the street bobbing your head to, here you go. You can check out the full record here, and check out “Volcano” below.

DFWd Hype Project: Vodeo “Pillow Talking”

So, if you’re not from Fort Worth, there’s a good chance you’ve never heard of our favorite yacht rock sons, Vodeo. If you are from Fort Worth, you know them as the guys that racked up pretty much all of the Fort Worth Weekly Music Award nominations. Now that we’re officially into summer, I figure their summery goodness is the perfect sound to start off this series. Down below, you can take a listen to the smooth grooving sounds of Vodeo’s “Pillow Talking”, complete with new music video. You can jam it on repeat this summer and go check out more of that good good here.

You can read my Better Know an Artist interview with the boys from Vodeo here.

About the DFWd Hype Project series: Now that AsasRecords is a Hype Machine featured blog, I feel the need to drive some attention to some of the great artists in the metroplex that might be overlooked in the global scene. I decided to start the daily Hype Project series to feature those artists and help me fight the urge to just post a long stream of posts in one day. If you’re not a DFWd local and you dig the track, like it, share it, reblog it, get the word out. We’ve got some great talent here in our area and would love to get them out to your area.

New Music: Charley Crockett “In the Night”

So, the record came out a few weeks back, and this single has been out for a bit now, but Charley seems to be underexposed on the global scene, so I thought I’d put this one out there for the world to wrap their ears around what we in the Metroplex have already found, the genre-bending greatness that is Charley Crockett. Cajun, Blues, Soul, Honky-Tonk and Gospel all rolled into one man.

You can check out our Better Know an Artist interview with Charley here.

Enjoy “In the Night” below.

Even More New New: Nicholas Altobelli “Exit Polls”

With all the great new local stuff dropping yesterday, who would have thought there’d be more great stuff dropping today. I feel like one of those good local bloggers that bring you music everyday. Ha.

Today, it’s everyone’s favorite DOMA bridesmaid, Nicholas Altobelli. Back when I was doing my Discovery of the Day series, there was a run of tracks around this time of year that got the tag for potential “song of the summer”. Let’s just say Nicholas’s new track, “Exit Polls” meets the requirements for that tag. It’s a fun little track, so get on it down below.

I don’t have a Better Know an Artist entry for Nicholas, so if you’re Nicholas, click here.

 

New Charley Crockett record “In the Night” Streaming Now

The highly anticipated new record from local genre-bender Charley Crockett hits the world this week, and you can check it out now. It’s got some real standouts including “In the Night”, “I Am Not Afraid”, “Baby 123”, and “Silver Dagger”. Just bumped itself into my top local record of the year slot. You can stream it below or go order it on his website. You can find him live in the coming months at KXT Sun Sets series on July 28 and at the Dallas Museum of Art for their late night concert series on August 19.

You can read my Better Know an Artist interview with Charley here.